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For more details on this topic, see. Picasso's Blue Period (1901–1904), characterized by sombre paintings rendered in shades of blue and blue-green, only occasionally warmed by other colours, began either in Spain in early 1901, or in Paris in the second half of the year. Many paintings of gaunt mothers with children date from the Blue Period, during which Picasso divided his time between and Paris. In his austere use of colour and sometimes doleful subject matter – prostitutes and beggars are frequent subjects – Picasso was influenced by a trip through Spain and by the suicide of his friend. Starting in autumn of 1901 he painted several posthumous portraits of Casagemas, culminating in the gloomy allegorical painting La Vie (1903), now in the. For more details on this topic, see. The Rose Period (1904–1906) is characterized by a lighter tone and style utilizing orange and pink colours, and featuring many circus people, and known in France as saltimbanques.

The harlequin, a comedic character usually depicted in checkered patterned clothing, became a personal symbol for Picasso. Picasso met, a artist who became his mistress, in Paris in 1904. Olivier appears in many of his Rose Period paintings, many of which are influenced by his warm relationship with her, in addition to his increased exposure to French painting.

This is an alphabetical list of all the songs known to have been recorded and/or performed by, or featuring Dalida, between 1954 and 1987, and posthumously, between.

The generally upbeat and optimistic mood of paintings in this period is reminiscent of the 1899–1901 period (i.e. Just prior to the Blue Period) and 1904 can be considered a transition year between the two periods. Portrait of, 1906,, New York City. When someone commented that Stein did not look like her portrait, Picasso replied, 'She will'. By 1905, Picasso became a favourite of American art collectors and. Their older brother Michael Stein and his wife Sarah also became collectors of his work.

Picasso painted portraits of both Gertrude Stein and her nephew. Gertrude Stein became Picasso's principal patron, acquiring his drawings and paintings and exhibiting them in her informal Salon at her home in Paris. At one of her gatherings in 1905, he met, who was to become a lifelong friend and rival. The Steins introduced him to and her sister Etta who were American art collectors; they also began to acquire Picasso and Matisse's paintings. Eventually Leo Stein moved to Italy.

Michael and Sarah Stein became patrons of Matisse, while Gertrude Stein continued to collect Picasso. In 1907 Picasso joined an art gallery that had recently been opened in Paris. Kahnweiler was a German art historian and art collector who became one of the premier French art dealers of the 20th century. He was among the first champions of Pablo Picasso, and the that they jointly developed.

Kahnweiler promoted burgeoning artists such as,,,, and several others who had come from all over the globe to live and work in at the time. See also: and Picasso's African-influenced Period (1907–1909) begins with his painting.

Picasso painted this composition in a style inspired by, but repainted the faces of the two figures on the right after being powerfully impressed by African artefacts he saw in June 1907 in the ethnographic museum. When he displayed the painting to acquaintances in his studio later that year, the nearly universal reaction was shock and revulsion; Matisse angrily dismissed the work as a hoax. Picasso did not exhibit Le Demoiselles publicly until 1916.

Other works from this period include Nude with Raised Arms (1907) and Three Women (1908). Formal ideas developed during this period lead directly into the Cubist period that follows.

Analytic cubism: 1909–1912 Analytic (1909–1912) is a style of painting Picasso developed with using monochrome brownish and neutral colours. Both artists took apart objects and 'analyzed' them in terms of their shapes. Picasso and Braque's paintings at this time share many similarities. Synthetic cubism: 1912–1919. Main article: Synthetic cubism (1912–1919) was a further development of the genre of cubism, in which cut paper fragments – often wallpaper or portions of newspaper pages – were pasted into compositions, marking the first use of in fine art.

In Paris, Picasso entertained a distinguished coterie of friends in the and Montparnasse quarters, including, poet, writer, and Gertrude Stein. Apollinaire was arrested on suspicion of stealing the from the in 1911. Apollinaire pointed to his friend Picasso, who was also brought in for questioning, but both were later exonerated. Between 1915 and 1917, Picasso began a series of paintings depicting highly geometric and minimalist Cubist objects, consisting of either a pipe, a guitar or a glass, with an occasional element of collage. 'Hard-edged square-cut diamonds', notes art historian, 'these gems do not always have upside or downside'. 'We need a new name to designate them,' wrote Picasso to: Maurice Raynal suggested '.

These 'little gems' may have been produced by Picasso in response to critics who had claimed his defection from the movement, through his experimentation with classicism within the so-called following the war. 1937, Arguably Picasso's most famous work is his depiction of the German during the –. This large canvas embodies for many the inhumanity, brutality and hopelessness of war. Asked to explain its symbolism, Picasso said, 'It isn't up to the painter to define the symbols. Otherwise it would be better if he wrote them out in so many words! The public who look at the picture must interpret the symbols as they understand them.'

Guernica was exhibited in July 1937 at the Spanish Pavilion at the, and then became the centerpiece of an exhibition of 118 works by Picasso,, and that toured Scandinavia and England. After the victory of Francisco Franco in Spain, the painting was sent to the United States to raise funds and support for Spanish refugees.

Until 1981 it was entrusted to the Museum of Modern Art (MoMA) in New York City, as it was Picasso's expressed desire that the painting should not be delivered to Spain until liberty and democracy had been established in the country. In 1939–40 the in New York City, under its director, a Picasso enthusiast, held a major retrospective of Picasso's principal works until that time. This exhibition lionized the artist, brought into full public view in America the scope of his artistry, and resulted in a reinterpretation of his work by contemporary art historians and scholars. According to Jonathan Weinberg, 'Given the extraordinary quality of the show and Picasso's enormous prestige, generally heightened by the political impact of Guernica. The critics were surprisingly ambivalent'. Picasso's 'multiplicity of styles' was disturbing to one journalist, another described the artist as 'wayward and even malicious'; 's review in concluded that Picasso was both charlatan and genius.

World War II and late 1940s: 1939–1949. Pablo Picasso photographed in 1953 by during an exhibition at in Milan (Fondo Paolo Monti, ).

During the Second World War, Picasso remained in Paris while the Germans occupied the city. Picasso's artistic style did not fit the, so he did not exhibit during this time. He was often harassed by the. During one search of his apartment, an officer saw a photograph of the painting Guernica. 'Did you do that?'

The German asked Picasso. 'No,' he replied, 'You did'. Retreating to his studio, he continued to paint, producing works such as the Still Life with Guitar (1942) and (1944–48). Although the Germans outlawed casting in Paris, Picasso continued regardless, using bronze smuggled to him by the. Guides Pablo Picasso through the in Poland during exhibition Contemporary French Painters and Pablo Picasso's Ceramics, 1948.

Picasso gave Warsaw's museum over a dozen of his ceramics, drawings and colour prints. Around this time, as an alternative outlet. Between 1935 and 1959 he wrote over 300 poems. Largely untitled except for a date and sometimes the location of where it was written (for example 'Paris 16 May 1936'), these works were gustatory, erotic and at times scatological, as were his two full-length plays (1941) and (1949).

In 1944, after the liberation of Paris, Picasso, then 63 years old, began a romantic relationship with a young art student named. She was 40 years younger than he was. Picasso grew tired of his mistress; Picasso and Gilot began to live together. Eventually they had two children:, born in 1947 and, born in 1949. In her 1964 book Life with Picasso, Gilot describes his abusive treatment and myriad which led her to leave him, taking the children with her. This was a severe blow to Picasso. Picasso had affairs with women of an even greater age disparity than his and Gilot's.

While still involved with Gilot, in 1951 Picasso had a six-week affair with, who was four years younger than Gilot. By his 70s, many paintings, ink drawings and prints have as their theme an old, grotesque dwarf as the doting lover of a beautiful young model. (1927–1986) worked at the Madoura Pottery in on the, where Picasso made and painted ceramics. She became his lover, and then his second wife in 1961. The two were together for the remainder of Picasso's life.

His marriage to Roque was also a means of revenge against Gilot; with Picasso's encouragement, Gilot had divorced her then husband, Luc Simon, with the plan to marry Picasso to secure the rights of her children as Picasso's legitimate heirs. Ice Dragon George Martin Download there. Picasso had already secretly married Roque, after Gilot had filed for divorce. His strained relationship with Claude and Paloma was never healed.

By this time, Picasso had constructed a huge home, and could afford large villas in the south of France, such as Mas Notre-Dame-de-Vie on the outskirts of, and in the. He was an international celebrity, with often as much interest in his personal life as his art. Later works to final years: 1949–1973. 1951 In the late 1940s his old friend the poet and and anti-Stalinist was more blunt; refusing to shake hands with Picasso, he told him: 'I don't approve of your joining the Communist Party nor with the stand you have taken concerning the purges of the intellectuals after the Liberation'. Picasso was against the intervention of the United Nations and the United States in the and he depicted it in.

The art critic Kirsten Hoving Keen says that it is 'inspired by reports of American atrocities' and considers it one of Picasso's communist works. In 1962, he received the. Biographer and art critic felt his talents as an artist were 'wasted' by the communists. According to 's diaries, Picasso once said to him in reference to the communists: 'I have joined a family, and like all families, it's full of shit'. Style and technique Picasso was exceptionally prolific throughout his long lifetime.

The total number of artworks he produced has been estimated at 50,000, comprising 1,885 paintings; 1,228 sculptures; 2,880 ceramics, roughly 12,000 drawings, many thousands of prints, and numerous tapestries and rugs. The medium in which Picasso made his most important contribution was painting. In his paintings, Picasso used colour as an expressive element, but relied on drawing rather than subtleties of colour to create form and space. He sometimes added sand to his paint to vary its texture. A of Picasso's The Red Armchair (1931) by physicists at in 2012 confirmed art historians' belief that Picasso used common house paint in many of his paintings. Much of his painting was done at night by artificial light. Picasso's early sculptures were carved from wood or modelled in wax or clay, but from 1909 to 1928 Picasso abandoned modelling and instead made sculptural constructions using diverse materials.

An example is Guitar (1912), a relief construction made of sheet metal and wire that Jane Fluegel terms a 'three-dimensional planar counterpart of Cubist painting' that marks a 'revolutionary departure from the traditional approaches, modeling and carving'. From the beginning of his career, Picasso displayed an interest in subject matter of every kind, and demonstrated a great stylistic versatility that enabled him to work in several styles at once. For example, his paintings of 1917 included the Woman with a Mantilla, the Cubist Figure in an Armchair, and the naturalistic Harlequin (all in the, Barcelona). In 1919, he made a number of drawings from postcards and photographs that reflect his interest in the stylistic conventions and static character of posed photographs.

In 1921 he simultaneously painted several large neoclassical paintings and two versions of the Cubist composition Three Musicians (Museum of Modern Art, New York; Philadelphia Museum of Art). In an interview published in 1923, Picasso said, 'The several manners I have used in my art must not be considered as an evolution, or as steps towards an unknown ideal of painting. If the subjects I have wanted to express have suggested different ways of expression I have never hesitated to adopt them.' Although his Cubist works approach abstraction, Picasso never relinquished the objects of the real world as subject matter. Prominent in his Cubist paintings are forms easily recognized as guitars, violins, and bottles.

When Picasso depicted complex narrative scenes it was usually in prints, drawings, and small-scale works; (1937) is one of his few large narrative paintings. Picasso painted mostly from imagination or memory. According to, Picasso 'could only make great art from subjects that truly involved him.

Unlike Matisse, Picasso had eschewed models virtually all his mature life, preferring to paint individuals whose lives had both impinged on, and had real significance for, his own.' The art critic said Picasso's work constitutes a 'vast pictorial autobiography' that provides some basis for the popular conception that 'Picasso invented a new style each time he fell in love with a new woman'. The autobiographical nature of Picasso's art is reinforced by his habit of dating his works, often to the day. He explained: 'I want to leave to posterity a documentation that will be as complete as possible. That's why I put a date on everything I do.' Artistic legacy.

Postage stamp, USSR, 1973. Picasso has been honoured on stamps worldwide.

Picasso's influence was and remains immense and widely acknowledged by his admirers and detractors alike. On the occasion of his 1939 retrospective at MoMA, Life magazine wrote: 'During the 25 years he has dominated modern European art, his enemies say he has been a corrupting influence. With equal violence, his friends say he is the greatest artist alive.' In 1998, wrote of him: 'To say that Pablo Picasso dominated Western art in the 20th century is, by now, the merest commonplace. No painter or sculptor, not even Michelangelo, had been as famous as this in his own lifetime. Download Flyers Templates Photoshop.

Though, that cunning old fox of conceptual irony, has certainly had more influence on nominally vanguard art over the past 30 years than Picasso, the Spaniard was the last great beneficiary of the belief that the language of painting and sculpture really mattered to people other than their devotees.'

See also:,, and songs discography Songs 1084 Songs in French 822 Songs in German 60 Songs in English 22 Songs in Italian 129 Songs in Spanish 33 List of songs recorded by Dalida discography Songs in Japanese 4 Songs in Arabic 9 Songs in Hebrew 2 Songs in Greek 1 Songs in Flemish 2 This is an alphabetical list of all the songs known to have been recorded and/or performed by, or featuring, between 1954 and 1987, and, between 1987 and 2014. Over 1000 of her songs are listed below, organised by language and listed in chronological order of recording, performance, and/or release.